Memory Foam Dust Mites

0006 [Wikio] URBAN BLOG ranking of the investigation began in December

Salvatore D'Agostino

Brain drain is not a TAG definition. The TAG is a container of different 'views'

ciociaria From Madrid to changing the world.

here

Salvatore D'Agostino years ... Domenico Di Siena, a native of ..., a migrant. .., what is your occupation?

Domenico Di Siena

I'm 31 years old.

where I'm from: I grew up in a small town in southern Lazio Coreno Ausonius, Ciociaria village (province of Frosinone), located in a charming hill a few kilometers from the sea and not far from the mountains of the Abruzzo National Park.

where I went: I started my studies in Architecture at the University of Rome La Sapienza . After four years I decided to apply for an Erasmus scholarship to Paris.

Where I was lucky enough to attend, during an academic year, courses at Ecole d'Architecture de la Villette . What I appreciated most about this experience were the lessons Urban planning and cultural environment that is breathed.

After this experience I had no desire to return to Italy or to Rome or to La Sapienza. So I decided to continue with the discovery of new cultures and new ways of thinking about and teaching architecture, and I went to Madrid - where I could count on some good friends already - and that is where I reside permanently for the past 6 years.

c h I do: I work in Urban Social Design, and I dedicate it to the design of spaces and dynamics that improve social relations in an urban setting. The professional activity is closely linked to the research developed at the 'Universidad Politécnica de Madrid , oriented to the study of new models of design and management of public space. With particular attention to emerging trends in new technologies.


coordinates Madrid 40 ° 23'46 "N 3 ° 43'00" W , why did you stop here?

Madrid is a cultural capital of Europe with an attractive, full of contradictions and liberty would never have thought possible to live there.
can be considered one of the few cities capaci di offrire un difficile equilibrio tra ciò che è locale e ciò che è globale. A Madrid ho la sensazione di poter vivere al meglio la mia condizione di cittadino glocal .
Vivo la città, la sua identità, la sua forza e la sua vitalità allo stesso tempo vivo la sua straordinaria capacità di connessione con il resto del mondo, culturalmente, economicamente e professionalmente: sono a Madrid e sono dappertutto.
Purtroppo da qualche anno a questa parte gli amministratori locali portano avanti politiche volte a limitare questa vitalità: processo che per la verità è comune a molte altre città spagnole ed europee.
La gestione degli spazi pubblici sembra problematica soprattutto because our politicians are completely unable to understand the dynamics and then to accompany them in the direction most convenient to the community. They are terrified by the possibility of losing control and prefer to restrict the scope for use across classifications and regulations that greatly restricts any potential social and collective. Living
this process when the city still retains a minimum of character, can be interesting and may help to understand the reasons, the dynamics and consequences of urban future. Allowing us to propose solutions and projects that improve the city and somehow curb the degrading trends.
such as the ' Ecobulevar in Vallecas or the recent childhood education complex with an adjacent square to Rivas Vaciamadrid .

While chatting to prepare for this interview I was intrigued that your sentence: "I like to call cyber-architect and think of being a planner."
Can you explain this self-definition?


S ono past few weeks from our first exchange of ideas during which I was able to gain some thoughts that brooded for some time. Today mi piace utilizzare una definizione differente, preferisco parlare di Urban Social Design .

Quando parlavo di cyber-architetto, mi riferivo alla possibilità di considerare l'architettura come una disciplina che vada oltre la composizione architettonica e la costruzione, qualcosa di molto più vicino alla gestione di processi; da lì la referenza al mondo cyber e all'urbanistica.
Urban Social Design mi sembra dare meglio l'idea di questo concetto: progettazione di spazi, situazioni o dinamiche, che hanno come obiettivo migliorare le relazioni sociali tra coloro che convivono un ambito urbano o più in generale un habitat costruito .
In our study (ed. Urban Ecosystem ) work on projects that are difficult to associate architecture. Develop a new definition of what we do helps us to communicate in a strategic way and achieve the objectives of our work and therefore to innovate our profession.
We are currently working on a web platform that allows citizens to express themselves about their neighborhood or city. At first glance it might seem a simple draft referendum or, at best a kind of participatory planning. In fact, the goal is to use the interest that citizens have for their city as an opportunity to catalyze new networks and contacts between neighboring district. In other words, it tries to create the fertile ground necessary to create new relationships and social activities, built directly from the bottom.
This type of dynamics is to be the basis on which to build innovative processes of design based on the presence of physical elements (platforms) and communication technologies (digital). The architectural profession in this way is not meant only as a designer of spaces, but as a consultant (manager) able to define the physical and social dynamics, needed to catalyze processes of self-organization.
In the ongoing work reflection and self-criticism that we pursue in the study we realized that it has reached a savoir faire that has to do with not only the architectural quality but also with the ability to catalyze and manage the different processes converging towards a single goal: we move into our intervention on several fronts: social, economic, architectural, technical and policy without ever forgetting the importance of communication.

What do you mean by communication?

Communication is an essential component of the design process. Accurately convey to employees, customers and users, the features and objectives of each step is a key to make a good project.
Today, however, communication means so much more.
communication is becoming the need of every professional. Until a few years ago appear in major magazines could be the key to increasing the professional prestige and visibility of their study today on the one hand is no longer sufficient and the other is no longer the only way .
The prestige, reputation, or rather, it begins to be something that is achieved by sharing the results of their work from beginning its process of production / creation. No longer confined to woo the most important journals and publishers to give more visibility to the quality of our work. Each trader now has the means to publicize their work. The biggest obstacle is methodological rather than structural. The distributed communication is based on continuous dialogue and horizontal. The hierarchy is replaced by reputation. Young designers and small businesses are starting to build its reputation directly from below, communicating directly with other professionals.
more alert and innovative professionals base their work on an ongoing process of research and innovation.
in this setting is always more interesting to share with other professionals (e non) i risultati del proprio lavoro generando una rete che si alimenta continuamente con nuove idee e contenuti.


Insieme al gruppo FOA avete rappresentato la città di Madrid - con il progetto di una scuola infantile - al recente EXPO di Shanghai. 

Non credi che sia un paradosso – non per te – per l’architettura italiana di oggi? 

Non lo considero un paradosso. Dovrebbe essere del tutto normale superare la nazionalità di chi propone un progetto per premiarne piuttosto le qualità.
Ad ogni modo è sicuramente una situazione che fa riflettere.
The factors that contribute to this situation are manifold. In Italy you can breathe
power, is a feeling that accompanies us in personal and professional life. We are used, the breathe every day, in a sense we are accustomed. Over the past twenty to thirty years' it has got worse: in virtually every sector, power is held by a generation old, and with the word old, I do not mean disrespect to those who are older, but rather highlighting the plight of decay and lack of vision of the future.
The company is locked, the Italian cities are becoming borghetti anchored to old models development, torn from a dimension affected by the daily worship of the image continually spalmataci him from the media.
When I think of the years spent in Rome, I realize that the city has ever offered me the opportunity to be part of his identity as a driver of innovation. In Italian cities there is no possibility of being involved in shaping a local identity, we only consume identity rifilataci beautiful chewed.
In other words, in Italy more than in other European countries perceive the action of power that constantly resizes any effort innovation.
However, I am convinced that it will be just Italy to provide the most innovative forms of participatory democracy and new forms of open-government.
The sad experience that has accumulated over decades of oligarchy in Italy contribute to the creation of initiatives to propose a new model of land management.
In this process probably will play an important role in the use of new technologies. In my view, in this sense, two of the most innovative projects worldwide to have its Italian: criticalcity.org is an urban regeneration project and the other is fun and participatory openparlamento.it a project that promotes greater transparency in the management public by facilitating the direct participation citizenship.

Through your study you run a blog . What is a blog for an architect?

To understand what good is a blog, perhaps it is useful to refer to the concept of commons in Italian could be translated roughly as result.
We are facing a new professional ecosystem that allows us to develop ideas and projects from operator to another person, other professionals or other companies.
The birth of this ecosystem is still in process, especially in Italy, for reasons cultural and structural. One of main problems is the dependence on the presence of intermediaries such as associations, organizations and magazines.
Although slowly, the parts of this ecosystem professional begin to communicate without intermediaries. This communication is more effective and fast, it promotes a new model of work that we can define networking . Communication becomes a relationship and dialogue, strengthening a model that recognizes the importance of the commons.
The press, like all institutions of the sector, are used to being containers and promoters of professional debate, and struggle to accept being alone promoters since the container is the network in which we are all prosumers: producers and consumers, in this case, the debate.
The debate is constantly shifting towards those nodes that others know better than to promote the exchange of ideas and opinions true: the system that allows it to grow and innovate.
Having a blog means to cure and give life to this ecosystem.

Where are you going?

I wish I could answer simply: I'm in the right direction! But who can say?
Maybe I do not know where I go, but I know where I want to go.
We are experiencing a historic revolution, comparable to that of '68. Just like then you are creating a rift between the ruling class (old) and Culture emerging, the young. The reality we inherited is close and the new technologies allow us to fly high, dream of a better world, and we can simply because we are organized horizontally, creating independent networks.
We are the generation of free culture: very simple concept and potentially revolutionary. Especially when the associate collective intelligence, the result, collaboration, public space.
I want my daily activities, personal and professional do it this cultural revolution.
I just want to be happy. A very simple thing. I want to say. My goal is to be happy and to be so I need to change the world. Change the world. The small one. What newspaper. I want to be peaceful while changing the world. While I make the revolution. The more time I spend with people close to me the more I realize that I am close to my goal. We are living through a very interesting time of change. A revolution.
I want to participate!

February 23, 2011


Read: Interview

Poland ---> Italy with Aleksandra Jaeschke
Italy Interview ---> Cina con Giacomo Butte
Colloquio Italia ---> Apolide con Edmondo Occhipinti
Colloquio Sudafrica ---> Italia con Louis Kruger
Colloquio Italia ---> Francia con Michele Moschini
Colloquio Italia ---> Olanda con Maria Elena Fauci
Colloquio Italia ---> Svizzera con Marco Calvani

  Intersezioni ---> Fuga di cervelli

Come usare WA --------------------------------------------------- Cos'è WA

COMMENTA

Genital Tattoo Galleries

di Salvatore D'Agostino

 « Avremo l'Internet che ci meritiamo » (Bruce Sterling) ^*  

In an attempt to retrace the history of the Web entries, I asked Gianluigi D'Angelo to tell his story in order to identify the subjects of the forthcoming dialogue.

For Gianluigi D'Angelo has been difficult to synthesize exactly ten years of history (beta born February 19, 2001). It came out a story that I decided to publish in its informality.

In memory of plots intertwine a bit 'all the experiences which have occurred in the network. A portrait is more than a history of interactions of these years.

This is the advance. See you soon in the interview that we will not sweetened side of the net.

Gianluigi D'Angelo

I am 10 years that we are on line . From the first experience of beta monograph on the subject of the next evolution in Channelbeta empty. In 2003 we were among the first to introduce the possibility to comment on articles, is also a forum where full register and participate in discussions. These first experiments were done in the same period architetture.it Furio Barzon (no longer online), who more than once organized meetings live chat.

was the time before us there was only one reference: architettura.it Marco Brizzi, who ever is in Italy's first experience relief from the world of on the Web and that a few weeks ago has turned 15 years old. At that time, was also born archphoto.it Emanuele Piccardo, which is still a point of reference, and there was There is still antithesi.info Sandro Lazier and Paul Ferrara, who in my opinion can be considered the first Italian blog on architecture, characterized by increasingly strong vis controversy that has produced several very interesting discussions .

The web was very different from now, but mainly it was much smaller. Even at international level, the landscape was not one today. There were archined , Archinect , baunetz , soloarquitectura etc. ...
We were there at that time.

Between 2002 and 2004 there was a moment of great ferment in the world of architecture anywhere. beta.net stands for Quarterly Bulletin Hermeneutic of Architecture. It was conceived as a digital publication on a quarterly basis monograph. the number zero, awarded to Romarchitettura, had as its theme the void. I had just returned from Portugal after an intense experience of a summer seminar whose theme was the urban voids. There was the wise and sympathetic eclectic Manuel Vicente, the mad Manuel Graça Dias , the diaphanous Carrillo Da Graça , the emerging blood Manuel Mateus and finally Gonçalo Byrne that happened to me as a tutor.

Needless to say, that experience was decisive for the choice of the theme of the number zero. Understand the concept of "Vazio" allows you to reverse the perspective. In fact, among the projects selected for its beta some were Portuguese. The interesting aspect of beta is the cultural cross-fertilization which addresses the issue. In addition to projects and reflections (where one of the first texts online Luigi Puglisi Prestinenza ) there are sections like " interference" with articles by artists, musicians, physicians and mathematicians, as the then unknown semi Piergiorgio Odifreddi : to receive its text, chasing away the mail between Europe and India. Then there was a space dedicated to student and finally to " itineraries " with two tracks on the theme of the void: the journey of Stalker in Rome, the gaps between the urban and social and photographic Juliana's Juice, recently moved to Tokyo, we proposed a path rhythmic in all those spaces and residual compressed in the Japanese capital.

This is the nucleus from which part Channelbeta , Channel Information on contemporary architecture.

As I said, beta gave us so many reasons. Our recognition came the first official mention of a premium Bruno Zevi Romarchitettura entirely unexpected. That Sunday I was in Rome for a walk almost by accident and decided to go to Castel Sant'Angelo to the ceremony. The surprise was huge as it was unexpected. I did not have nearly the time to enter the Sala Paolina that I was called on stage by Oliviero Beha. It was the first time in Italy (at least in my memory) that a digital product received official recognition. In the meantime, had already started a few months the process of transformation and mutation to Channelbeta. It was a natural evolution to better adapt to exploit the qualities of digital media. In fact, after the debut with some success, access decreased day by day, then decided to bring the news to post new updates, but also because I wanted to continue daily adventure. I soon realized that the way that contaminated the monograph and was nothing but a stretch. It is precisely for this reason that Channelbeta was born, with the initial idea to continue to pursue even quarterly updates with beta monographs: matter, the paradox was already in the works ... but as you can imagine, and as we know, for beta there.

Channelbeta from the first moment a great success. We tried to make our content as accessible as possible and not just in English, as it was in beta, which was available in three languages. Then we were the only ones in Italy to do so, even if only on certain content. This led us to have a growing percentage of foreign players who came in a short time, to become our main audience. The network was much smaller, despite our numbers, compared to those who are now almost tenderness, we were on the world ranking to Alexa around 140,000 position. The editorial work was done by hand in HTML with Dreamweaver for the article layout, it took hours, grueling work that we undertook almost all the free time and more. Over the years we had achieved a certain visibility.

course, the web was still a territory frequented by a small community, but slowly the world "official" architectural culture began to look with some interest. In a short time it was thought that this process soon to produce a revolution. So it was, but the times were not exactly short. The moment was of great turmoil, with Furio Barzon Architecture.it organized the Biennale-Out opening a space for debate and discussion and for the first time using the online chat. Our detective work was the architecture. We were curious about what was happening overseas and in the same way we want to talk out what happened in Italy. We wanted to understand how and what our fellow students studying overseas and that is why we contacted Winka Dubbeldam who then taught at Columbia University to ask if we could publish degree theses of his students . Even the academic world began to become aware of the network, program of university courses the teachers were beginning to enter into biographies of the courses of the Web sites of architecture. Then began the meetings, debates, round tables at the Polytechnic of Milan, Ferrara, IUAV etc. ...

Between 2003 and 2004 meetings were organized every 2-3 months that we were regularly invited to participate in an ongoing confrontation that grew month after month. With Channelbeta We tried to take the debate outside the institutions, with "O-live, speaks as you eat" , we met in clubs and premises of the main Italian cities, students, architects and teachers, sitting on the floor pillows, with a good glass of wine in one hand and with the microphone in the other, took turns in discussions arriving late into the night.

was the period in which the reportage of the bridge over the Strait of Domenico Cogliandro came out in installments, according to a wire that went beyond the single digital head, going from chapter to chapter to Archphoto to Channelbeta to Arch'it etc. ...
an innovative and ingenious experiment on Sunday that he was received with much enthusiasm from all of us. At that time it happened also that national newspapers reported in their pages of our articles, eg. Bauhaus for the first time, analyzing ed elaborando statistiche ufficiali, metteva in evidenza la questione della densità di architetti in Italia, facendo emergere senza margine di opinioni questa anomalia tutta italiana.

Purtroppo a questa fase di grande fermento ne successe un'altra, di raffreddamento. Il contesto culturale, probabilmente, ancora non era pronto. Gli incontri diventarono sempre meno frequenti. Alcuni dei protagonisti di questo periodo si eclissarono. Si stava chiudendo un periodo d'oro. Anche noi con Channelbeta subimmo questo raffreddamento, il continuo lavoro ci aveva usurato e le motivazioni e la passione non erano più sufficienti. Tra il 2005 ed il 2007 il web crebbe notevolmente. Iniziarono a nascere i cosiddetti portali architecture, aseptic containers where the quantity and quality often replaced the space where critical reflection and was reduced even more. Our technology in pure HTML 1.0 did not allow us to compete in this direction, or we wanted. Retain our identity, as well as maintained and Archphoto Architettura.it that even today, along with a handful of other foreigners, can be considered the only magazine exclusively digital architecture.

arrive until 2008, after a rather long period of standby, in a sense refounded Channelbeta. Was completely revamped the editorial board and editorial staff and decided to pass the soon as possible to a dynamic platform. We decided to integrate the social networks and platforms to maximize Flickr and Youtube . The first article that came out after this renewal was " The deck of the Star System" : an editorial manifesto with as relaunched Channelbeta. We were keen to stress our editorial policy, talent scouting, research the architecture and not only so-called minor. We decided, from now on, only to publish projects and possibly unprecedented, adding that bottle of photos, especially the designs of plans, elevations and sections. This new momentum brought us another prestigious award, first prize in the Culture of ' eContent Award 2008 in ex aequo with a project created by CNR. An award recognized with the Silver Plaque of the President of the Republic and we ran to the WSA to represent Italy in global competition.

In the past two years, our work was mainly to show that there are unknown architectures that have much to say and that before the architect, the architecture exists. I must say with some pride that, thanks to us for the first time Plasma Studio have been published in Italy, as well as Giancarlo Mazzanti i, Plan B, Piñol , Li Xiaodong, ECDM , Mass Studies , Ishigami etc etc ...

We continued to make our contribution on hot topics such as the housing plan, The New Town and in particular in the last period we have been dedicated to a fierce battle for the realization of ' Auditorium at Shigeru Ban L'Aquila . L'Aquila in a sense part of our DNA, being the entire editorial board Abruzzo birth or adoption, in addition to the fact that two of us were directly affected by this terrible tragedy. Despite the strongly we felt inside, we never wanted to deal with this issue outside of our editorial line, we did only when these events have intersected our area. The question that we raised with the Auditorium of Shigeru Ban has been around the world, we managed to bring the attention of big media that acted as a sounding board, and thanks to our small contribution, now finally it has come to light this is so important to the city.

Currently our store has news and articles from over 3,000 projects, we are on Facebook with a user account saturated of 5,000 over 2700 friends that follow us from fan page. Our channel Flickr has about 5,000 photos while on Youtube we have created one of the main channels of architecture with about 650 members and over 300,000 videos viewed.

Finally we created architecturefeed that, while not a blog, is a useful tool to control the main sources of information architecture. the Redazione di Channelbeta ha selezionato, durante mesi di lavoro, migliaia di siti web di architettura, li abbiamo selezionati e divisi per categorie: news, projects, design, competitions& jobs e naturalmente blogs. Sulla home mettiamo in evidenza i contenuti più interessanti per ogni categoria. Un'altra funzione molto utile è quella di poter salvare in un proprio bookmark i post preferiti. Inoltre è possibile segnalare il proprio blog o i blog preferiti che verranno vagliati ed inseriti nelle categorie. Unico requisito tecnico è che il sito web da inserire abbia tecnologia rss feed. Attualmente architecturefeed monitora circa 300 siti web che possono essere quindi consultati in maniera comoda. È inoltre possibile ricercare informazioni attraverso il motore di ricerca interno, applicando filtri come ad es. categoria, lingua ecc...
È uno strumento completamente gratuito, necessita solamente di una semplice e veloce registrazione. Abbiamo creato questo aggregatore inizialmente per una necessità interna, dato che la consultazione quotidiana di decine di siti web portava via molto tempo, successivamente, rendendoci conto della grande utilità, lo abbiamo sviluppato e reso fruibile da tutti. In meno di un anno architecturefeed conta già un archivio di circa 50'000 post ordinati e catalogati.  

19 febbraio 2011

Intersections ---> MONDOBLOG

Using WA ------------- ----------- --------- ------------------ What WA

^COMMENT

^{__________________________________________}

Note:  
^* Giuseppe Granieri, Facebook sei tu, Blog notes, 5 giugno 2010. Qui  

b-e-t-a:

Gianluigi D'Angelo     

Andrea Pinna             

Davide Vocale    

Anthony Beauty

Emanuela Bonvecchio

translations: Michela Lucchini

Channelbeta:
2002 to 2007 :

Gianluigi D'Angelo

Andrea Pinna

David Voice

Anthony Beauty

Emanuela Bonvecchio

since 2008 Present:

Gianluigi D'Angelo

Robert Patrick Benigno

Roberta Di Loreto

Davide Di Virgilio

Matteo Falcone

Francesco Giorgino (up al dicembre 2010)

Manuela Ianni

Cabiria Iannucci

Annalisa Gentile (dal 2009)

Trading Pokemon On Vba Two Macs

di Salvatore D'Agostino

 

Urban blog è una TAG non una definizione. La TAG è contenitore di diversi 'punti di vista'

Da qualche tempo ho difficoltà a comprendere il significato di termini come: social network, popolo della network or facebook, Internet users and bloggers to finish. Words that project us beyond reality.
The Safe Communities blog is trying to pass this distance between virtual and real.
The Safe Community is a meeting place between people who live in the 'crater Irpinia' (named after the earthquake of November 23, 1980 ) and tries to pass "autism choral "(Franco Arminio) of those who live in these places without living them.
In this group interview, Salvatore, John Franco, Elda, Renata, Alberto, Angelo, Enzo, Mario Sergio, Valentina, Paolo, Stefano, Rocco, Michael Lello and tell us about their experience.

What, if any, difference between the dialogues in the network and the real?

function of the "virtual" must be neither idolized nor demonized. But taken for what it is: a means, a system that "to link" the people. In itself, is neutral. And 'the use made of it to characterize. Positive or negative. Moreover, as such - ie as a means to "connect" people-is a formidable tool of "potential ignitions. Just do not exaggerate, distort the value.

non frequenta normalmente la comunità. I colloqui reali invece sono momenti di conoscenza, di approfondimento anche caratteriale, momenti che servono a consolidare una unione, una idea, una decisione.



temi che ci interessano, è anche vero che abbiamo demandato ad essa ogni forma di dibattito e di comunicazione. Forse sarebbe bene fare un passo indietro, o, forse, dovremmo semplicemente trovare la forza di essere meno politically correct e più esposti, più “veri”.

many small things, some bigger, but so far the thread has not stopped. If in every province of Italy there was a PC (and it is not impossible), we would live in a different country. I fear that the ease with which one can intervene, the liquid dripping of our thoughts in the posts, magnified personal anecdote that does not give an idea of \u200b\u200bwhat you are doing. Translate words into deeds and we move forward.

For Rebecca Solnit 1
a city is that as long as its inhabitants, whatever they do and whatever their income, they can still meet casually on the street. The road was and is the key democracy.

What is the way in your country?
in pursuit of the first loves.

became the place where:
left hopes, for which I left along which I returned.

It 's the place where you make all
fate where you hear the voice of the world, where become another.


public space ", of which the streets are the majority. The lack of programming space in the Town for the benefit of real needs, replacing the role played by the market places or people with suburban shopping centers are among the many factors that emerged during our meetings that have helped to render the meaning and functions spaces for collective use of historic towns and agglomerations of countries building Irpinia. The streets of a number of countries and many cities in Italy, not only in Irpinia, are the sad result of erosion features on a human scale to the benefit of the mechanical requirements, technological and aesthetic. The public environment report for excellence - The urban void - is reduced, in some cases, the mere exercise in architectural self-celebration, it no longer meets the needs of the visitor but the aesthetics of those who conceived. …cos’è la strada? La strada è l’elemento più invadente che ci sia… in senso positivo ed in senso negativo. È quell’elemento che stretto, tortuoso, a volte ripido, fatto spesso di pietre sconnesse, si incunea in ciò che c’è di più intimo, le case, le dimore, i palazzi… e ti permette di conoscere quel paese, quella città… perché ne ha costruito la storia, è la base di un centro abitato, sia esso piccolo paese o grande città. La strada è la cultura di una civiltà, c’è tutto in una strada: il percorso, il disegno fanno fisicamente la città, il cammino in essa ti permette di guardare le case, di guardare nelle case, nei bassi napoletani come nelle cantinole calitrane… è invadente… così come lo è quando sfascia un territorio incontaminato per legare città a città… ma la strada siamo noi… la strada è la nostra storia…

act 'in a place' well-defined boundaries. His latent goal is: to be the place. I told
concrete action and its local social aspect, which extended beyond the temporary community?

Because there are extraordinary people with strong feelings that encourage emulation.
then becomes encouraging to fit things you do every day in the process of building a collective sense (civicness) to whom you feel shared, certainly the protagonist.
superadditivo The process is in its effects, but it takes time to build it.
and scenarios in which it can produce better results. In that regard last seminar paesologia - we must Grottaminarda last January - I referred to the concept of governance, as opposed - or, rather parallel - to the institutional government, by definition, deputy to the political process itself.
L’idea di Angelo di Parco secondo me si situa proprio qui, un esperimento di progettazione concordata di soggetti istituzionali e ‘comunità’ per attuare un’idea ‘paesologica’.
Filiere corte? Risparmio energetico? Azzeramento del consumo di suolo?
Abbattimento del digital divide?
Auto-gestione di un ramo secco ferroviario da parte di un distretto turistico?
Boh, siamo qui per parlare e per avere ambizioni. Poi può finire tutto domani, perché il cervello è uno sfoglio di cipolla o – come temo per il mio – è solo inadeguato al cimento. In tal caso mi sarò soltanto divertito, gradevolissimo obiettivo minore…

place one week, sleeping in the houses provided by the locals and having lunch at a collective kitchen where they worked in practice men and women of Cairo, especially young people, and chef Irpinia.
Of this there is still physical evidence on site (garden and dome), the inhabitants living memory, extensive documentation on the site

.


of Cairano7x.









opposed to government, Franco Arminio, as poet - and equally good reason - call to caress COUNTRIES LOOK WITH FRATERNAL AND CLEMENTE, with consequences that this entails; Angelo VERDEROSA tries to put into practice through the design required MEETINGS OF ARCHITECTURE wandering among the countries in the area; Needle CAT this summer that, among its other activities, has translated into beautiful cultural evenings between Compsa, Cairo and Conza, which translates Enzo MADDALONI implementing its seminars to Cairanesi clowmeria donated to the girls of Aquilonia, and they share. What
groups LOCAL GROUNDS, FRIENDS OF THE EARTH decline, with the initiatives of TRAIN LANDSCAPE, shared by a growing number more people, that Michael Ciasullo tries to decline with the University À

POPULAR Irpinia.

I could cite more examples, all leading to a commune, CONFUSED, still cloudy and sometimes conflicting attempts to construct a different way to live our places, not to live by "living dead" as, inter alia, beautifully expressed by ELDA MARTINO in the post "PAESOLOGICI FEELINGS. But I think that is enough to make the idea of \u200b\u200bthis act, than we get. And that's why we try a bit 'all in the fire of contradictions, misunderstandings - and also of the slander and "Feeling cold" - to define our being temporary community and to adjust the terms of our "stay there inside," just to have a relationship alive, true, the reality of the place, going in the direction of obstinate and contrary conclusion atomization, cynicism, exploitation of their savage and / or their abandonment, against the logic that presides over and that declines in ELDA MARTIN HIGH MORALLY vibrant, with pity for the creatures and with indignation against the violence - in places and places - from the man atomized. For this reference and all of you to re / read his post.

reconnaissance of the hill of Calvary in Cairo, to find the archaeological material from various periods, meet and operate a tourism clemency, keep company with the countries, to bring other people around the lesser known places of Irpinia, go listen to the wind, stay together under a tree, laughing and talking, construction of a temporary museum of archeology, a documentary about Cairo archaeological survey of laboratories, accommodation del'area caves, digging, cleaning, watering, open cellars, talk with residents, and permanent art installations, theatrical performances in areas unused, waiting tables, sleeping five hours a night, place the guests, write blog posts, defend formic, quarrel, make peace, discuss the meaning of life (and death), an evening bag on the roof of the hospital, a day with new friends in Scampitella cp seminar paesologia in Grottaminarda, writing paper for the archaeological park, unload bales of hay, to find people willing to help, dance with Paul ... pinches


I continue?
"The view from behind life, death, is reduced to a few things: a bedside light, a pot of coffee, a green sweater, the first roses, a birthday cake, a loner, the swallows come forward and back, a woman unknown.
In 125 stories, humorous and withering, Franco Arminio gives us an account of the many ways to die by sending postcards to an unknown place, from time to time by sending us a subtle breath, a slight pain, vertigo, a surprise. "
paraphrase a recent book by Franco Arminio, I ask you a postcard from the living.


un’aula avrei preferito il bianco. Dalle foto ho visto due pareti arancio, una bianca e una viola.

as a young child in full "*
the strength of this terrible image
haiku tells me that there is still hope, that poetry" is "hope, I draw strength ... and I am alive.
It 's this today, my postcard from the living. * Paola Lovisolo - From "Hammer to fall" in Bulletin 900 No.1-2, 2007


coda.
D’inverno,quando la bora taglia la faccia, la costa resta sotto vento. Il paese sa tenere i reni al caldo. Sono i venti da sud che lacerano il sipario e impediscono la messinscena quotidiana.


i battenti sbarrati.


Respecting his love and his sigh, looking at the ground, I said again: Happy New Year!.

Certainly a doubt ... sure.
"Mast Ciapa: Merry Christmas! ".... "Mbèeh! "Dedicated

. My father, who that day: he saw, he understood, smiled and said nothing!

Urban
blog








COMMENT

Using WA

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WA


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Notes:

1

Rebecca Solnit, History of Walking, Bruno Mondadori, Milan, 2002, p. XI






Main:


To understand the meaning of the Safe Communities
One of my interview with Franco Arminio

Frequent Flyer Program Comparison 2009

NoFur

94 photos of Kim Basinger, not yesterday, but always present.

I think my mind does not need explanation.

let you more questions.

10 Weeks Pregnant With Lower Abdominal Pain

guns

Like every year at this time, take away the first races of the season. Debut for three Tonics, in different places, but with the same tone:

- Angelo Taylor of the Cassina de 'Pecchi el' Accelera-tors competed in that Magglingen (or Magglingen, in German) charming city of sport near Bern, Switzerland. Summarizing the results:

60m : 7 "21-7" 14-7 "18 - 7" to 14 Fabione in 4 trials (two batteries and two finals), with response times consistently excellent, including 138 of the battery and the incredible 101 of the final (this is not good, it's ass). Although this result is very close to its staff (7 "12), given his feelings before the race, hoping for something better. If you want to see the glass half full, but now mostly just pecking at some other super start in the next appointments to bring groped for the wall of the 7"!

200m : The first race of , which for a number of contingencies (39 of fever the week before and resulting state of precarious shape, the first lane in an ice-180m) has led to a good shit ( 23 "92 ). But as far as out of shape at the moment, that time does not reflect its quality. See below.

400m: seen the light of the single lap of the track (in fact, single + 20 m ) c'era qualche preoccupazione per la doppia distanza. Ma qui si è visto che il nostro anziano capitano non è ancora da rottamare: un passaggio ai 200m di poco più lento rispetto alla gara secca e una chiusura equivalente, hanno sancito un tempo di 52" . Di per sé non è una figata, ma vista la condizione e la totale assenza di fiatone e fatica al termine della prova (si è ipotizzato di recuperare 3 minuti e fare un altro 400), il tutto è più che positivo in chiave futura.

- Il sottoscritto Facocero ha invece scagliato il suo disco alla consueta prima fase regionale dei campionati invernali di lanci. Noi che siamo uomini veri, non abbiamo bisogno di palazzetti, ci Saini settle for the field (I). Good size (44.83 m ) and a good series (2 more throws over 44m and a zero field of about 45m). What else to say, okay, now we see the next one!

This is it, dear Friends Tonic: to continue the competition, we will keep you updated on further developments!

hug you all.

Arnaldo

Quotes For Warm Socks

Salvatore D ' Augustine




Publications of Architecture on the Web The Italian way


"Mondays architecture "


InArch (National Institute of Architecture, founded by Bruno Zevi)
Rome Via di Villa Patrizi 11, March 5, 2001, at 20

Introduced and coordinated by: Antonino Saggio, La Sapienza